Marina Abramovic Through The Conceptual Frame survive ARTIST Abramovic is a knead contrivanceist Abramovic enjoyments her body as her artistic medium. She test her physical and intellectual limits She explores the relationship between the body, the opinion, and the world. ARTWORKS Abramovic is most famous for her Rhythm Series. distributively procedure explores the limitations of the mind and body. Abramoivc uses her own body to express her ideas and conventions. Her performances gainsay the notion of what is art. Because her performances ephemeron (temporary) she uses photography to document her performances. Exploring the physical and psychogenic limits of her being, she has withstood pain, exhaustion and hazard in the quest for emotional and spiritual transformation. AUDIENCE Abramovic and her performances rely on hearing perception and interaction. She invites the audience to be a split up of the deal of the work by watching what she is doing. For those who were not fitting to physically start the performances, photographs/video of the performance are displayed in the gallery. She also challenges the subprogram of the audience by sometimes inviting them to afford to her performance.

Rhythm 0 1974 is an important performance to look at in performance art history. In this performance, Abramoivc invites the audience to use a shape of objects on her. The overall result of the performance solely relies on what the audience does. This performance allows the audience to be more employment engaged and involved in the process and outcomes of the perform ance. WORLD Balkan Baroque, 1997 an on-go! ing performance with Abramoivc sitting in a pack of crashing(a) animal bones and manically trying to scrub them clean. In an interview, she verbalize of the piece: Im only interested in an art which buttocks change the ideology of society...Art which is only committed to artistic set is incomplete...I dont defend anyone, neither the Serbs nor the Bosnians...If you want to get a extensive essay, order it on our website:
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